Amazing Sculptures Of Ron Mueck’s

Ron Mueck  is an Australian hyperrealist sculptor working in Great Britain. Mueck's early career was as a model maker and puppeteer for children's television and films. 

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Mueck moved on to establish his own company in London, making photo-realistic props and animatronics for the advertising industry. Although highly detailed, these props were usually designed to be photographed from one specific angle hiding the mess of construction seen from the other side. Mueck increasingly wanted to produce realistic sculptures which looked perfect from all angles.

Mueck's sculptures faithfully reproduce the minute detail of the human body, but play with scale to produce disconcertingly jarring visual images. His five metre high sculpture Boy 1999 was a feature in the Millennium Dome and later exhibited in the Venice Biennale.

Mueck concluded that photography pretty much destroys the physical “presence” of the original object, and so he turned to fine art and sculpture. In the early 1990s, still in his advertising days, Mueck was commissioned to make something highly realistic, and was wondering what material would do the trick.

Latex was the usual, but he wanted something harder, more precise. Luckily, he saw a little architectural decor on the wall of a boutique and inquired as to the nice, pink stuff’s nature. Fiberglass resin was the answer, and Mueck has made it his bronze and marble ever since.

Mueck works with a particular type of super-realism that has a long history. He invites people to take a close-up look at his work, to inspect the hairs, freckles and blemishes, to scrutinize the carefully modelled expression and contemplate the difference between artist-made reality and the world in which we live.

"I never made life-size figures because it never seemed to be interesting. We meet life-size people every day.'" Says Mueck.